# How (and why) I made a zine

I just finished up a zine project (it will be up soon here! I will let you all know when it is up DO NOT WORRY).

A few people asked me how a zine is made so I thought I’d write down the process.

### what’s a zine? why write zines?

A zine is a short informal publication, often handwritten or hand-assembled. I have zines about a) someone’s life and what she thinks about stuff (a “perzine”) b) star trek c) what it’s like for one person to be deaf and date a non-deaf person d) french expressions for english speakers e) following a band around Canada for a summer f) safer sex.

They’re often first-person and about a really specific thing. And delightful. You know what has a lot of really specific things? PROGRAMMING.

In 2014, I gave a talk at PyCon about debugging tools I loved. When I was preparing for that talk, Amelia Greenhall had just written this really excellent article Start your own b®and: Everything I know about starting collaborative, feminist publications. If you’re interested at all in publishing things you should read it – it has a lot of really practical advice.

I’ve always found stories of people starting their own publications compelling (that’s why I write a blog, after all!!), and I was like ME. I WANT TO START A MEDIA COMPANY.

I came down from that after about 30 seconds. But I still wanted to publish something! A paper thing! And this article was about feminist things, and I’d read this book Girls to the Front: The True Story of the Riot Grrrl Revolution Paperback about riot grrl and people making feminist zines and starting punk bands, and I was like ME. I WANT TO MAKE A ZINE ABOUT THINGS THAT I LIKE.

And I was giving this talk! I remembered hearing that Edward Tufte gave out handouts in talks, and I thought that was a cool idea, so I figured I’d try it. I tweeted something like

omg guys i want to write a zine about strace

and everyone was like

yes obviously this is a great idea

So I decided to write a zine and give it out as a handout in my talk.

### making things fun is a great way to teach

the reason I write zines is partly because I think they’re fun, but also for practical reasons. Fun, accessible content works. People understand it. In my most recent zine, I explain netstat, netcat, ngrep, tcpdump, wireshark, strace, eBPF, dstat, and perf and a bunch of its subcommands. This is a lot of stuff!! But because it’s presented in an adorable tiny zine people are like “oh how interesting and cute!” and don’t hesitate to pick it up.

Some of the things I want to explain are traditionally considered kind of advanced! I didn’t learn about any of these things until I’d been programming for 10 years. But there’s no reason I couldn’t have learned them earlier! It’s just that nobody told me.

What I end up finding is that people will read my zines who I wouldn’t expect. People will read them even if they’re new to programming or new to Linux! And they’ll often learn something and tell me “yeah, sure, I didn’t understand 100% of it but a lot of it made sense!” To me this is a HUGE WIN.

I spent years being scared of tcpdump. But it’s not really that scary, and if I can help a few people be a little less intimidated by it, then I’ve done my job.

### the tools

For the first zine I wrote I:

• cut pieces of letter paper in half
• wrote on them in sharpie and pen
• went to a photocopy shop and assembled the zine by hand with a photocopier
• gave the master copy to the print shop people to copy
• scanned it and put it on my blog

pretty basic, really cheap, pretty easy.

The first zine (about strace) looked like this:

I thought it looked great and I was delighted with it. I had been thinking about feminist zines so I wrote a manifesto:

Honestly I found sharpie got kind of old though – it worked well, but it sucks to not be able to erase anything and scanning is annoying. I thought about buying a tablet and I tried out the ipad pro with an apple pen. That was MAGICAL. It was also a thousand dollars and I am super clumsy so I was definitely not buying a $1000 tablet to draw zines. Then I discovered the samsung galaxy tab a 9.7, a super magical android tablet that was only$300 but let me draw super cool stuff. It comes with the Samsung “S pen” which works really well. If you’ve seen me post something that looks like this:

it comes from that tablet. This is way easier to work with (I can come up with something and just click “share -> Twitter”!)

### distribution

Mostly I give away zines at conferences (“HELLO HAVE YOU HEARD THE GOOD WORD ABOUT STRACE???“) and let people download the pdf on my website. This is really fun and I think I have converted people to strace with a zine who would not have taken the time to learn about it otherwise.

I mostly want to tell people about the stuff I think is cool, and I don’t really want to make money right now (I have a job for that), so I don’t usually try to sell them.

Also I found out at the Montreal zine fair that the Quebec national archives will accept any publication for inclusion in their archives, so I filled out a form and now my strace zine is part of the national archives of Quebec.

As for shipping things on the internet: the most promising site I’ve found so far for selling small booklet-y things is magcloud.com. I haven’t used them yet so I don’t know.

### bubblesort zines

I would be remiss not to mention @sailorhg’s amazing bubblesort zines about computer science. she has a bunch of them! go buy them! Here’s how she describes them:

BubbleSort Zines are a monthly zine series filled with stories and hand- drawn art and diagrams. They cover topics like circuits, sorting, memory, and tcp. Though the intended audience is high school students (think Hello Ruby’s teenage sister), I was surprised by how many adults are also subscribers!

### you could make a zine

I think it’s fun because I kind of want to write a book sometimes, but writing a book takes like a YEAR or MORE and is a huge commitment. Writing a zine is a lot easier and lower stakes and I get some of the fun rewards (“hey look at this cool thing I made!“) without spending months editing a book.